Happy birthday to all of them and the ones coming up regardless and for whatever it's worth.
How to stay MotivatedHow to stay Motivated.How to stay Motivated by Robotpencil
I’m writing this article for the type of people who say that just can’t find motivation to:
Make a portfolio
Finish a painting
Work on their personal project
I got three tips I’m about to write, and it’s just advice and things that I found useful for myself. If you are capable to do any of these things you should definitely try them.
Fear. Get rid of it. If you are fearful of the outcome it will unmotivate you immediately. Just finish whatever it is and think about how you can improve after. If you can’t see what you need to improve ask someone else to tell you. There is always room to improve, and if you go into a critique with an open mind you will grow exponentially.
Think of it like this. If you were running one lap, and half way through you stopped because you were afraid you were going to throw up or pass out, you will never really know how fast you can run that lap. You didn’t push yours
5 Comic Book Truths (that I don't think are true)There are lots of tips, chestnuts, and other pieces of advice that I've heard over the years--tidbits of wisdom passed on from one generation to the next, from professional to professor to prospective student. Some of them are drawing tips, some of them are tricks to dealing with publishers, and some are general guidelines on how to survive in comics. Most of them are useful and true and will stand the test of time, but a few of them have become hackneyed platitudes and have gone unquestioned for too long. Here are 5 that I'm questioning...5 Comic Book Truths (that I don't think are true) by seangordonmurphy
1. READERS WILL ONLY LOOK AT A PANEL FOR 5 SECONDS, SO DON'T SWEAT IT TOO MUCH.
I understand the intention of this bit of wisdom, and I mostly agree with it: drawing great interiors is important, but at the same time, you don't want to get bogged down with small details that most readers won't even notice.
But here's my concern with this: if you treat every panel like it's disposable, then you're less likely to make an impact with reader
Tools of the TradeHey guys. I figured I'd go ahead and do a FAQ journal entry. Just a basic list of the tools I'm currently using for my marker work. I have a new tutorial for my markers that I'll post when I'm able to share the art I used for the progress shots. Feel free to fire away with any questions and hopefully, this can be a go to guide for basic info on my tools. I'm not going to talk about oil painting materials as I'm still figuring all that out and I doubt an answer I give today will hold up in the future.Tools of the Trade by ChristopherStevens
Ok Here goes...
Markers: Prismacolor Cool and French grey markers. I think "Copic" has become another word for "marker" these days, so it's assumed that I'm using Copics for all of my work, but I actually use Prismacolor for all of my figures and detail work and only use Copic markers for backgrounds. I use to use "Warm" greys but I like the sepia look of French more now. I also occasionally use Copic color markers when I'm doing a full color marker piece. Why do I like Prismacolor markers
I was born in a log cabin on a dark and stormy night on Krypton and my parents were killed as we were leaving the Opera by my evil stepmother who locked me in a dungeon, and all I had was an Internet connection and my tablet.|
So I drew stuff.